| Shona Sculpture |
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Although Shona Abstract sculpture appears to be a modern art movement, it is often considered traditional in conception and within the context of Zimbabwean art. An essentially spiritual tribe, the Shona people had been producing visionary ornaments that also functioned as ritualistic tools for centuries. This “creationism” as it is often referred to, glorified rights of passage, inaugurations, nature and ancestry. Read more...
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Click for larger version, then mouse over to see NEXT or PREV buttons to navigate through images. The movement began in 1957, when the newly appointed director of the National Gallery of Zimbabwe (then Rhodesia) observed this deeply rooted creativity already living amongst the Zimbabwean peoples. He exercised his influence to establish and encourage artist workshops where skilled and untrained alike could learn the masterful art of carving from stone. The studio would be a place dedicated to the preservation of both tradition and individual expression. These humble beginnings would steer an art movement that exists into its third generation today.
Click for larger version, then mouse over to see NEXT or PREV buttons to navigate through images. SHONA SCULPTURE Shona sculpture is perhaps the most important new art form to emerge from Africa this century. … unlike art found in much of the rest of Africa, Shona sculpture has become a wholly indigenous modern art form created exclusively as a form of artistic expression. Picasso was an admirer of early Shona sculpture; now evidence is surfacing that he was influenced by it too. During the past decade, Zimbabwe Shona sculpture has become the most collected form of African art. It has found its way into important repositories such as the Museum of Modern Art in New York and the Rodin Museum, and into the homes of the Rockefellers and the Prince of Wales. If the perfection of art is measured purely by emotional expressive power, then this art is beyond perfection
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